to learn more about Re-Creations or any of the other products at MovieGoods just click on the image
An exciting collection of classic movie posters, re-created as genuine fine art, limited-edition lithographs. Hand made and hand numbered these prints are way beyond the quality of normal posters. For more information on price and delivery Click Here
| Titles Gilda (1946)
This image solidified Rita Hayworth’s love goddess image. The Jean Louis gown and trailed fur were used to recreate a scene from the film.
Thief of Bagdad (1924)
Douglas Fairbanks was a world-class star, possessing charm, prowess, virility and audience rapport. Not only did he star in the special effects filled fantasy The Thief of Bagdad, but he also produced the film.
King Kong (1933)
King Kong was released in the middle of the Depression, and the elaborate advertising used for this film resulted in it earning $1,761,000 at the Radio City Music Hall and the Roxy during its first run alone.
Woman in Red (1935)
Audiences loved to cheer on Barbara Stanwyck, the underdog who elbowed her way to the right side of the tracks! Stanwyck was tomboyish, yet used sex like a loaded gun. If this poster couldn’t put her over as a sexpot, what else could?
The Lady from Shanghai (1948)
Rita Hayworth was definitely wicked in this movie! The poster shows yet another provocative pose by Hayworth, showing why she was one of the favorite pin-up girls of the time. Hayworth shocked moviegoers with this picture by chopping off her long, lustrous locks and dying them blonde.
The Son of the Sheik (1926)
This was the last film that Rudolph Valentino ever made. In it, he plays both father and son. This is a rollicking, sumptuous and sexy silent adventure. The poster shows the famous "ravishing of Yasmin" scene with Vilma Banky.
South of the Rio Grande (1932)
Buck Jones was the original Marlboro Man. He was a man’s man, one of the most beloved stars in movie history by both fans and colleagues alike. His unswerving commitment to fair play made him a hero to kids, and he always got his man astride his faithful horse, Silver.
The Phantom of the Opera (1925)
Female members of the audience were known to shriek or faint when Mary Philbin unmasked Lon Chaney’s ‘Phantom’! Universal provided a lavish advertising campaign for this film, with seven different one-sheets alone being created.
Dracula (1931)
This film was billed as "The strangest story of passion the world has ever known". Bela Lugosi took this role from stage to the silver screen, and it shot him to stardom. Dracula is the character most frequently portrayed in horror films, and this one was the first!
Murders in the Rue Morgue (1932)
Murders in the Rue Morgue featured Edgar Allan Poe's dramatic story of the horrors of Paris. The style is typical of illustrator Karoly Grosz, who created many images for Universal’s horror flicks.
The Wolf Man (1941)
The Wolf Man was Universal’s most successful monster film of the forties. In this movie, Lon Chaney, Jr. is the haunted, hairy victim of Bela Lugosi’s fanged bite.
Hell’s Angels (1930)
With this line, Jean Harlow’s career was launched. This movie is the only color film that she ever appeared in, but Harlow was not the only thing that was colorful about this film. Three aerial stuntmen were killed during the making of this movie.
Metropolis (1927)
Metropolis had an astoundingly large cast of 36,000, which included 1100 bald extras for the Tower of Babel scene. An incredible amount of film footage was taken — 1,960,000 feet of film was edited to 13,165 feet.
The Sin of Nora Moran (1933)
The spectacular artwork of this poster suggests the early Alberto Vargas, who frequently worked in picture advertising in the early thirties. Vargas was known for his long-limbed, sensuous pin-ups that came to be known as "the Varga Girl".
The Girl from 10th Avenue (1935)
Warner Bros. Coined the publicity slogan "No one is as good as Bette when she’s bad!" and Bette Davis is delightfully "bad" in this picture. This movie was her first starring picture, and was history in the making.
A Dog’s Life (1918)
This endearing poster shows "The Little Tramp" at his best. The classic lines of this poster emphasize the sad, yet funny comedy of Chaplin together with man’s best friend.
Dracula’s Daughter (1936)
Gloria Holden is the eerie, haunting, and tragic Countess Zaleska, who journeys to the foggy streets of London to see if her father, Count Dracula, is truly dead. Next thing you know, drained corpses start showing up in the streets again...
The Mummy (1933)
This one-sheet is one of the most highly valued movie posters of all time. The style is typical of illustrator Karoly Grosz, who created many images for Universal’s horror flicks...
The Invisible Man (1933)
Based on H.G. Wells’ novel, the Invisible Man starred a novice movie actor, Claude Rains. Carl Laemmle, the studio head at the time, ordered a full-effort ad campaign after viewing the initial rough cut of the movie.
Frankenstein (1931)
Boris Karloff’s makeup took 4 hours to apply, he endured steel leg struts and shoes, and sixty-five pounds of padding in order to play the role of the monster. It was well worth it, with Universal making five million dollars from the film.
The Kid (1921)
Charlie Chaplin’s sentimental, jaunty and melodramatic style won over fans and critics around the world. His feature-length starring debut in "The Kid (1921) was hailed for its brilliance and only "The Birth of a Nation" topped it at the box office.
|
